![]() Whether you use Blackmagic Cinema Camera, Canon, RED, Sony or an ARRI Alexa, using this plugin will instantly show your footage with true exposure and colours. The only thing you should keep in mind is to shoot Log on your camera. The plug-in comes with the folowing LUTs: In addition, LUT Utility allows you to apply film print LUTs to accurately emulate different film stocks and film processes. LUT Utility allows FCP X users to apply LUTs to Log exposed images from: Arri Log C, Blackmagic Camera Film, Canon C-Log, RED Filmlog, Sony S-Log, Technicolor Cinestyle and any other flat Log picture profile from cameras including Nikon and Panasonic. Any flat looking image can benefit with the right LUT applied. This is not an effect wrapped template, it’s a fully coded plugin that also works in Motion and even loads up its own system settings. You can use LUT Utility , a clever $29 plugin and application that automatically converts flat picture styles to the correct grade in FCPX such as REC709. If you are Final Cut -X user, you also have a simple option to apply look-up tables to your footage. As a rule-of-thumb, Casey Faris suggests to colour correct your footage in the first place and to apply a certain LUT after. Using the build-in Lumetri Effect in Premiere CC on a separate video channel is certainly a smart decision to apply look-up tables to your footage. He applies a couple of colour look-up tables to the footage he shot on BMPCC, however the suggested workflow is relevant and could be applied to any other footage as long as the video files we use are captured in Log mode with the full dynamic range of the camera. In this video tutorial Casey Faris will give us some basic ideas on how to use different LUTs in Adobe Premiere CC. ![]() However, if you want to achieve professional results, using dedicated colour grading software solutions such as Davinci Resolve, Color or Speed Grade and applying some basic primary and secondary colour corrections to your footage before delivery is still a must. You can use LUTs to give you clients or your collaborators an idea and some initial thoughts on how your footage would look like once delivered. The hardware colour look-up table will convert the logical colour (pseudo-colour) numbers stored in each pixel of video memory into physical colours, normally represented as RGB triplets, that can be displayed on a computer monitor. It can be a hardware device built into an imaging system or a software function built into an image processing application. The definitions of a Colour Look-Up Table (LUT):Ī colour look-up table (CLUT) is a mechanism used to transform a range of input colours into another range of colours. What is a colour look-up table and how do we use it in practice? Many people still do believe that applying a LUT to the image is like applying another preset in your NLE. As I gain experience I may expand my goals, but I figure to take this a step at a time.There is a common misunderstanding about the colour look-up tables, or in short LUTs. Lastly, although making a full on film is in the back of my mind my short term ambitions are far more limited and mostly aimed at making shorts for Youtube and Vimeo. So any recommendations should be APP specific. I should also mention that at present I only plan to use Premiere Pro and not SpeedGrade or AfterEffects, but that I may go the full CC suite at some point. ![]() So, since my environment is mostly the high southwest desert, but certainly not limited to the high desert, the LUTS that do well with such conditions and are usable within APP would be desirable. I am planning to upgrade my GH2 but not until the GH5 and along with the X5 expect to do a fair amount of 4K video. In addition to the bodies I have a pretty decent selection of good glass ranging from quite wide to very telephoto. My current camera kit includes the following: Nikon D800E, Nikon D7200, Panasonic GH2, Zenmuse X5 (DJI Inspire 1 drone). Fortunately as a PS user I'm somewhat familiar with the Adobe way. As a photog I've used Photoshop and Lightroom as well as a few other editing programs but Premiere Pro is new to me and I'm just beginning the learning curve. I should mention that I'm new to video but have been a still photographer for a long time. ![]() I live in Utah and frequent the desert area a lot and am looking for recommendations for LUTS that are most appropriate for desert conditions and work within Premiere Pro CC.
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